with the Alexander Turnbull Library
Saturday 22 February 2020
Saturday 21 March 2020
8.45am – 4.30pm
Palmerston North Central Library
Image: Class at West End School, 1947, Photograph from
Palmerston North City Library 2010N_A175-67-1_004215DAY ONE
Introduction to Oral History
Saturday 22 February 2020
8.45am – 4.30pm / Central Library
An introduction to oral history methodology. How to:
► plan an oral history project
► choose the best equipment
► achieve clear audio recordings
► select informants
► follow ethical procedures
► process oral history
► make material available for use.
All equipment will be provided, however if you have a recorder you intend to
use for your interviews, please bring this. Exercises to be completed before
Day Two will be discussed.
General enquiries: (06) 351 4100
Saturday 21 March 2020
8.45am – 4.30pm / Central Library
Recording Seriously builds on Day One: Introduction to Oral History,
reviewing work completed and covering in more detail interview techniques,
project planning and technical, ethical, and legal issues. Participation in Day
One is a prerequisite.
All equipment will be provided, however if you have a recorder you intend
to use for your interviews, please bring this. Participants receive
comprehensive guides and resources.
Lynette Shum and Hugo Manson
Please note: Morning and afternoon tea will be provided.
Please make arrangements to bring your own lunch or visit one of
the local cafés.Registration essential [SEE BROCHURE]
Cost for the two-day workshop – $100.00
Please register at the Second Floor, Palmerston North Central Library
or by email to: firstname.lastname@example.org
For further enquiries please contact:
or phone (06) 351 4100 ext. 7377
Related upcoming events
2020-02-05 - 2020-02-12 All day
Online Introduction to Oral History Workshop - Baylor University
by Stephen Sloan
Baylor University Institute for Oral History invites you to join its online, live audio workshop, "Getting Started with Oral History." The interactive workshop will provide six hours of instruction on two consecutive Wednesdays, February 5 and 12, from 10:00 a.m. CST to 1:00 p.m. CST. You may take part in the workshop from the convenience of your home or office computer via Cisco WebEx. This introductory workshop, designed to help participants plan and begin an oral history project, will be taught by Institute faculty and staff members Adrienne Cain, Michelle Holland, Steven Sielaff, and Stephen Sloan. Participants will create a project design and conduct an oral history interview as part of the course. The cost is $100, which includes the two sessions, online access to all reading materials, and ongoing consultation for your oral history project. CPE credits are available for Texas K-12 teachers. There is room for only 40 participants, so register soon!
2020-07-03 - 2020-07-04 All day
- CALL FOR PAPERS: OHS Annual Conference 2020 -- Oral History and the Media, 3-4 July 2020, Bournemouth University
OHS Annual Conference 2020Oral History and the Media
Friday 3rd and Saturday 4th July 2020Bournemouth University Oral history and the media have an important but complex relationship. The media has long been a significant producer of, and outlet for, oral history. Classic radio and television productions like The Radio Ballads (1958-1964), Yesterday’s Witness (1969-1981), and The World at War (1973-1974) pioneered the use of oral history in the media, giving voice to those who would otherwise have been excluded from both the media and the historical record. Since the 1980s, there has been growing use of oral history in TV and radio documentaries and storytelling, with oral histories now forming an important and popular dimension of history and factual programming and broadcasting. However, the methodological, aesthetic, narrative, and ethical decisions behind these productions -- such as who to interview, what questions to ask, and what parts of the interviews end up on the “cutting room floor” -- often remain hidden. The relationship between oral history and the media can also be seen in how oral history has been used to explore the histories and experiences of the media itself, with oral history projects charting the development of media companies and organisation. This has coincided with an upsurge of interest in memory and nostalgia related to the experiences of media, such as memories of cinema, books, and music. Elsewhere, the advent of new media and social media has fuelled the growth of digital storytelling, interactive documentaries, as well as serialised audio podcasts which draw heavily on oral history testimony. Whilst these new technologies, formats, and channels offer new ways of creating, disseminating, and consuming oral history, they also raise vital questions about ethics, participation, expertise, audiences, and formats in oral history practice. This conference aims to consider the relationship between oral history and the media, both historically and today, by exploring similarities, differences, opportunities, and challenges between media practices and oral history practices, from interviewing to editing, audiences to ethics, covering topics such as: · The Use and Misuse of Oral History in the Media · Memories of (the) Media: Film, Books, TV, Radio, Theatre, Music· The Influence of the Media on Memory: Mediated Memory and Prosthetic Memory· Oral History, Media, and Editing: Soundbites, Vox-Pops, and the "Cutting-Room Floor"· Oral History, Media, and Interviewing: Intersubjectivity, Questions, and Emotion· Journalism, Crisis Oral History, and Historical Distance· Oral Histories of the Media (professions, organisations, and companies)· New Media, Social Media, and Oral History · Changing Media and Formats and its implications for Oral History· Archiving, Preservation, and Re-use of Oral Histories in the Media PROPOSALSThe deadline for submission of proposals is 20th December 2019. Each proposal should include: a title, an abstract of between 250 and 300 words, your name (and the names of any copresenters, panellists, etc.), your institution or organisation, your email address, and a note of any particular requirements. Most importantly, your abstract should demonstrate the use of oral history or personal testimony and be directly related to the conference theme. Proposals that include audio playback are strongly encouraged. Proposals should be emailed to the ORAL HISTORY AND THE MEDIA conference manager, Polly Owen, at email@example.com. They will be assessed anonymously by the conference organisers, and presenters will be contacted in January/February 2020. www.ohs.org.uk/conferences/conference-2020/
2020-07-03 - 2020-07-05 All day
STOUT RESEARCH CENTRE
for New Zealand Studies
CALL FOR PAPERS
New Zealand Oral History Conference
Stout Research Centre for New Zealand Studies and the
National Oral History Association of New Zealand (NOHANZ) Te Kete Kōrero-a-Waha o Te Motu
Victoria University of Wellington
3 – 5 July 2020
Ko wai mātou? Who are we?
A common thread runs through the contemporary work of many philosophers, economists, geneticists, historians and novelists world-wide. Who are we? What unites us? What separates us? As we in Aotearoa New Zealand grapple with the consequences of colonisation 250 years on, questions of personal and collective identity resonate on multiple levels. Do we share any form of collective identity?
We invite papers that explore “who are we?” in different and interesting ways.
- There are multiple social and cultural dimensions to identity – iwi/hapu, family, ethnicity, occupation, class, sexuality, generation, and gender among them.
- How do we navigate the personal and collective multiplicity of identities that are part and parcel of everyday life?
- In what ways are these identities perceived to overlap?
- How do we negotiate conflicting identities?
- Past or present – which matters more when considering who we are?
- Are our life narratives our self-identities?
Through the medium of interviews and life narratives oral historians are able to record a rich diversity of perspectives and make a contribution to understanding the question “Ko wai mātou?” or “Who are we?”.
Keynote speakers include:
(Waskam) Emelda Davis, founding member and chairwoman of Australian South Sea Islanders (Port Jackson) in Sydney, speaking on ‘Children of the Sugar Slaves’.
Na Li, Research Fellow and Professor in the Department of History, Zhejiang University, China, speaking on “Oral History, Public Memory, and Political Identity: A Transnational Dialogue”. To be confirmed.
There will be workshops on Friday 3 July at the National Library, Wellington.
To submit a proposal
Please send a title, 200-word (maximum) abstract, and a brief (two sentence) biography:
By: Saturday 18 April 2020
In all cases, to assist with later programme planning, please indicate clearly the focus of your paper within the broad theme. You will be notified by the end of April whether your paper has been accepted.
Registration for the conference will open on Monday 4 May 2020.
If you have any questions about the conference, please contact:
Anna Green: firstname.lastname@example.org
Anna Packer: email@example.com